Yet Another Lens
Thursday, March 20, 2025
LIVE MUSIC IS HARD | SPECTATIN' and SPECULATIN' 4
LIVE MUSIC IS HARD | SPECTATIN' and SPECULATIN' 4
bret harold hart
Why?, Whuffo?, and Howcum? are better community puzzles to solve in Life than Whodunnit?...., circuitously detailing, while sitting on my porch smoking cigarettes, three music performance concerns I have been processing for about 50 years.
VIDEO LINK: https://youtu.be/5yo8HeCmATQ?si=zmJK39iU6sf2jXqt
------------
0:02
hey y'all Brett here
0:05
again spectating and speculating I guess
0:08
this is going to be the
0:10
fourth upload for this particular
0:13
playlist when I get around to getting
0:15
done with
0:17
it I want to talk about
0:21
paytoplay
0:23
Um kind of the the paytoplay ethic
0:28
uh within
0:30
the business of performing live music in
0:34
various kinds of
0:36
venues because
0:39
um I've been doing it for a really long
0:43
time since about
0:46
1978 and I've done it all around the
0:49
country I've played out in California
0:54
Texas
0:56
Florida
0:57
Maryland Virginia North Carolina New
1:00
York
1:01
Massachusetts on an island off the coast
1:04
of Portland Maine uh as well
1:07
as in Korea South Korea when I was
1:10
living over there for four years
1:13
Basically anywhere I've ever lived I've
1:15
sought out creative people to hang with
1:18
or at least to meet I like interesting
1:22
people You know there are all kinds of
1:25
ways that people can go out and perform
1:26
their music You can do it in schools You
1:28
can do it in churches You can do it in
1:31
parks if they let you You can do it
1:35
um in bars You can do it in art
1:38
galleries You can do it in restaurants
1:41
And you can do it in larger venues of
1:43
all sorts that are more suited for huge
1:47
crowds and stuff like
1:49
that And um you know those are the kind
1:52
of places I perform music in over the
1:54
years And you know generally if you're
1:56
playing in a
1:57
park if you've been invited to play in a
1:59
park you're going to get paid by the
2:01
city that runs the park And if you're
2:04
playing in a bar if if it h if it's a
2:08
bar with any decency whatsoever
2:11
um you'll at least go home and not have
2:14
spent a penny on what it took you to get
2:17
there and play the gig and get home And
2:20
if they're cooler than that they feed
2:22
you and keep you from getting thirsty
2:24
while you're there
2:25
too Um but anyways pay to play
2:30
So I've encountered paytoplay in various
2:33
places and
2:36
um venues that uh and this is usually
2:39
bars and
2:40
clubs and sometimes restaurants that
2:43
have a stage in them Um it's it's very
2:47
very hard when you live in small town
2:49
America and even in big cities um to get
2:52
paid to play unless of course you are as
2:55
I've said before kind of econ
2:57
economically independent In other words
2:59
you've got an agent who's making sure
3:02
these things are going to work out for
3:03
you and setting you up places to stay
3:07
and your travel and so forth or if
3:10
you're just a simply a wealthy person uh
3:13
or a famous person who doesn't have to
3:15
worry about the costs of
3:17
things as well as the means of getting
3:21
from place to place like that And of
3:24
course I've always had to take travel
3:26
into concern and lodging and food and I
3:29
sell my own stuff I've always gosh since
3:32
about
3:34
1983 I've had some sort of record
3:37
company as it were or music business um
3:41
that started off releasing stuff on
3:43
homemade cassette tapes and went all the
3:47
way through to CDs Uh I'll try to
3:49
remember to post a picture of
3:51
the the CD
3:54
uh archive that I have here I'm not
3:56
going to take pictures of all the
3:58
cassettes They're in a apothecary
4:01
cabinet scores of
4:03
them But anyways um you
4:07
know when I was a kid you know not even
4:11
20 years old yet playing in clubs and
4:14
things Um you might get paid $300 $350
4:18
to play a Friday and Saturday night uh
4:21
for about three hours a night Um they'd
4:25
feed you p they'd give you pictures of
4:26
beer to keep you going and
4:31
um that was a very long time
4:34
ago 40 years ago um I could get paid
4:37
$175
4:40
um well a portion of it anyways in a
4:43
band and not get thirsty And this would
4:47
be you know local college gigs kind you
4:49
know towns that have a whole bunch of
4:51
little venues here and there for the
4:54
college
4:55
crowd By the time I got out to
4:59
California couple years later I began to
5:02
hear about this paytoplay where you
5:04
literally I also heard about it in
5:06
Boston where the club that you're going
5:08
to play play at gives you the tickets in
5:11
advance and you have to sell the tickets
5:15
right
5:17
and that's how you make your money
5:20
presuming you don't have any merch to
5:23
sell and and and and kind of push it
5:25
along in that way I never thought that
5:28
was cool because I really believe
5:31
that if an artist
5:34
provides a suitable image that that can
5:38
be used promotionally that the place
5:40
that stands to make the money that night
5:43
should do the promoting
5:45
And I
5:47
know you know the whole DIY ethos a lot
5:51
of folks think about the band the
5:53
Minutemen for
5:55
example they took the whole they
5:58
shouldered most of the work themselves
6:02
They took most of the responsibility for
6:05
things getting done and you know held
6:08
themselves accountable for how well that
6:09
went and stuff rather than being flung
6:11
around by some clown And uh they did
6:15
good They did great Mike Watt's still
6:18
doing great You know I I I I'm I'm sort
6:22
of a a merger of the DIY ethos plus a
6:27
certain standard of respect that
6:29
musicians were paid when I was a college
6:32
kid way up on the top of New York State
6:34
in Potts Dam same campus that has the
6:37
Crane School of Music on it The venues
6:40
in a town that has a music school
6:42
typically pay
6:43
better It makes sense You know I've been
6:47
in a number of bands over the years that
6:49
that got paid to play Hipbone uh was one
6:52
of them Uh the Bo Cleav Project was one
6:55
of them Uh the Bandats only performed
6:58
once but we got paid pretty good for it
7:00
Um and some other bands over the years
7:03
out in Reedsville on occasion We get
7:05
paid to play out there I've been paid to
7:08
play at various festivals and uh you
7:11
know street festivals and local events
7:14
that happen in parks and stuff like that
7:16
where they have music going on Played in
7:19
a lot of different types of
7:21
situations I don't I don't like this
7:24
paytoplay I I think that's terrible And
7:27
uh so I'm just going to put my foot down
7:29
with this first thing and say I just
7:31
think that it is the responsibility of
7:32
the venue seeing as their their region
7:36
is where most of the people that would
7:39
come are coming from So they have a
7:40
greater likelihood of knowing the kind
7:42
of folks to contact than somebody from
7:44
another state would I I I think
7:47
paytoplay is a really bad paradigm and I
7:49
don't accept it And I have made a lot of
7:51
um not friends as it were um because I
7:55
hold to that But that's just the way
7:57
it's going to go I'll I'll say no I'm
7:59
not playing for
8:00
free any more than a plumber you don't
8:03
know is going to come fix a pipe for
8:05
free It's just not going to happen It's
8:07
a work day Okay Uh in addition to
8:10
paytoplay I want to talk about this
8:11
whole horrible
8:16
lensure violation uh and fines and fees
8:21
and stuff that can be levied against
8:23
venues
8:25
which haven't paid for that kind of
8:28
lensure And I personally think
8:30
it's obscenely expensive but the the
8:34
fines are worse
8:36
And in a number of places that I've
8:38
lived over 50 years of playing music
8:41
when I after I'd become kind of aware of
8:44
the need to have some sort of permission
8:47
or lensure in order to go out and play
8:51
music by other people Okay of course if
8:54
you're playing songs you wrote or music
8:56
that you composed or stuff that exists
8:59
in the public domain there should be no
9:03
fear of legal action for having so done
9:08
Um but those particular lensure
9:11
companies um because they've just had
9:14
skin in the game for so long
9:17
uh and represent so many
9:20
publishers Um they're tough to fight
9:23
with And here in the town that I live in
9:26
now I know of several people that that
9:29
you know booked live music in
9:31
restaurants and clubs and bars that have
9:34
existed over 30 years we've been here
9:37
and they got creamed when somebody
9:40
turned them
9:41
in And uh I've never been on the
9:44
receiving end of that kind of a
9:45
punishment a legal punishment financial
9:48
punishment for providing your customers
9:51
with some you know some enjoyable music
9:53
to listen to
9:56
Um but it's a racket and I do believe
10:01
that if a
10:02
person I'm not willing to really do this
10:05
much research but I I feel that there
10:07
are regional rats
10:10
um round and about uh who have sort of a
10:14
uh freelance
10:17
uh relationship with these licensing
10:22
agencies
10:23
And uh as a sort of a supplemental
10:26
income periodically
10:29
uh and very anonymously I I I have not
10:32
quite figured out who the person in this
10:34
town is that's doing that Um one moved
10:38
away and it's still going on So I'm I've
10:42
kind of got it down to three
10:45
people But as I've said before I'm not
10:47
in the business of getting people in
10:49
trouble It's not my job Um but I do like
10:52
to know things At any rate um I have
10:56
been
10:57
told that you can be fined as much as
11:00
$700 per cover song if you don't have
11:04
that kind of uh you know lensure
11:07
agreement with these guys right so so
11:11
here comes you know
11:14
Carlos the cover tune man and he comes
11:17
in and he wants to really hit everybody
11:20
in the first set with a bunch of stuff
11:22
that they know and like So he's he's up
11:24
there you know hitting uh Beatles songs
11:28
and Browneyed Girl you know Freeird and
11:32
all that stuff This isn't a songwriter
11:34
This is just a human
11:37
jukebox and sitting in the back of the
11:40
restaurant because the person saw the
11:43
promotion that this person was going to
11:44
be playing in the restaurant or
11:47
wherever is sitting back there taking
11:50
pictures and and recording audio clips
11:52
in the back of the room as evidence that
11:55
the thing that they're going to report
11:57
occurred and they're going to cash in
11:59
They're going to they're going to make a
12:00
nice little bit of mailbox money off of
12:04
that But what bothers me about it is
12:07
that it is a absolutely horrid betrayal
12:10
of one's neighbor uh in a town or city
12:13
that you know where you live You're
12:16
ratting out musicians They're not going
12:18
to get punished for it The venue is
12:20
going to get punished for it It can put
12:22
a it can put a restaurant out of
12:24
business or make them downsize staff you
12:28
know
12:30
And I think that's really bad I think
12:34
it's a rotten thing to
12:35
do You know I I I'm sorry that some very
12:39
nice people who were providing places
12:42
where live music could be listened to
12:44
and where musicians could you know make
12:45
a little chunk little change on the side
12:48
tips small payment for playing there for
12:51
a couple hours It's gone Our town is
12:54
without music at this point this small
12:58
town that I live in And um that's really
13:02
sad that the effect of one person's sort
13:08
of monetary
13:10
gluttony could could shut down an art
13:14
form Unbelievable
13:18
Unbelievable And these
13:21
people they they don't hide They're very
13:24
public influencer kind of people who do
13:27
this kind of thing you know Once a
13:30
person is in a lot of groups and on a
13:32
lot of boards and stuff there's this
13:34
really bizarre presumption that they can
13:36
be
13:37
trusted you know i mean look how many
13:39
boards and chambers and stuff you're
13:41
sitting on right i don't know My
13:44
experience over the years both in
13:46
business and education is that in
13:48
administration is generally corrupt and
13:51
that corrupt people cling to one another
13:55
you know uh like Kurt Vonagget said take
13:58
the average of the five people you spend
14:00
the most time with you know from week to
14:04
week and the average of those people is
14:07
you and birds of a feather and all that
14:11
stuff right and uh so I'm not cool with
14:15
that And I think it's very excellent
14:17
that a number of businesses uh who have
14:20
serious FM um lensure in order to be
14:23
able to play radio and you know stuff
14:25
like that songs in their venues
14:29
um this new paradigm the Sirius FM
14:33
paradigm Sirius satellite and all those
14:35
channels and stuff When you get that
14:37
kind of lensure for your business um
14:40
those songs can be played or performed
14:45
in your venue
14:47
And um I don't think this is
14:49
terrifically widespread knowledge yet
14:52
but I'm here to tell you that those
14:54
other folks that uh license music are
14:57
probably going to have to come down on
14:59
their rates unless the serious
15:04
people start hitting the bike pump on
15:06
their own profits and uh you know
15:09
getting crazy getting crazy Don't hire a
15:12
CEO who likes fentanyl too much Um but
15:16
anyways uh so that's my second thing
15:19
that I wanted to talk about is the whole
15:21
uh notion of making sure that you have a
15:26
a decent type of lensure that will
15:28
protect your venue um from being it's
15:31
not really being sued but I bet it feels
15:34
like it Um a real good brick oven pizza
15:39
place relatively new in our town got
15:42
clobbered Um another place that was a
15:46
restaurant up on Kings Highway that we
15:48
used to enjoy going to they got
15:49
clobbered Um and some other newer
15:53
businesses got clobbered too And I I
15:56
hate that That's really bad That's
15:58
really not cool And the third and final
16:01
thing that I want to talk about a little
16:03
bit here
16:05
Third and final thing I want to talk
16:07
about here is about cover
16:11
charges at the door
16:14
um in order to
16:18
offset what would otherwise be a budget
16:20
line item for a venue that has live
16:23
music Okay And
16:28
since about the year
16:30
2000 this this is what I think This is
16:33
how I remember it since about the year
16:36
2000 So now for about a quarter of a
16:38
century
16:39
um I've found that where in when I was
16:42
younger you know the first half of the
16:45
period of time I've been playing music
16:48
um charging a buck or two at the door
16:50
and this was back when a buck or two
16:52
bought more than it does now Okay so
16:54
let's just say five to $7 at the door
16:58
How about just five
17:00
okay five bucks today buys what a dollar
17:03
or two bought back in 1985
17:07
Okay people don't venues
17:11
won't have h have a donation for the
17:15
band you know that's that's usually what
17:17
it's called um at the door as though if
17:22
somebody puts a $5 bill in there for the
17:24
band that's $5 they won't spend on micro
17:28
bruise or coolers or something in there
17:30
right or food or whatever which is a
17:32
very that's stupid math That's not
17:35
ignorant math That's stupid math
17:39
Okay
17:41
because every single person that comes
17:43
in there is helping your bottom line
17:45
because now you don't have to pay that
17:48
$5 to the band And I think you're
17:51
overestimating just how much push back
17:54
you're going to get from people if you
17:56
have somebody there at the door with a
18:00
bucket with a sign sticking out of it
18:02
and it says $5 band
18:05
donation Right if somebody can afford to
18:08
go to a restaurant or or afford to go
18:10
somewhere and indulge in their drinking
18:12
habits they've got a five They can part
18:15
with
18:15
$5 They absolutely can part with $5 I
18:20
can part with $5 and I'm on a fixed
18:23
income right whenever I hear about the
18:26
national average you know the national
18:28
average income it's forever Remember I
18:31
was a public school teacher It's always
18:33
been twice what I've ever made And yet
18:36
somehow we we we're provided for
18:40
right we don't need a lot of money to
18:42
live because we know how to do a lot of
18:44
things by ourselves We didn't raise our
18:46
ch children on you know chicken
18:49
McNuggets and
18:51
uh you know Mountain Dew and like a lot
18:55
of folks seem to do And life's life's a
18:58
lot cheaper when you're not lazy and
19:01
also when you just accept the fact that
19:03
you don't have a lot of money and um
19:06
it's kind of fun So anyways I I'd like
19:09
to argue for more places to grow a pair
19:12
and let the public compensate the band
19:15
or at least offset some of what the band
19:18
has been guaranteed You could guarantee
19:19
the band 200 bucks to go up there and
19:22
play for two and a half hours right and
19:25
you're going to give you're going to
19:26
keep them from getting thirsty and
19:28
you're going to ask people to pitch in
19:30
five bucks as they walk through the door
19:32
Okay well if you have a slow night and
19:35
only 40 people come in there and some of
19:37
them leave but each of them pitches five
19:40
bucks in there because they enjoy music
19:42
for the duration of the time they're
19:43
there uh you've just majorly offset what
19:47
you told the band you were going to pay
19:48
them and it doesn't come out of your
19:49
pocket anymore I think it's a wise move
19:53
Um at the very least people people
19:55
should have the courage to give it a
19:56
shot right give it a shot Start with $3
20:03
Have some ones on hand for change right
20:06
i think it'll work It used to work
20:10
People like things that are
20:12
nostalgic Why don't we get on
20:15
with treating hardworking traveling
20:18
musicians especially the ones that write
20:20
their own
20:21
music like professional bluecollar
20:24
workers It's precisely what we
20:28
are Tip the band folks
CONNECT-THE-DOTS | SPECTATIN' and SPECULATIN' 3
CONNECT-THE-DOTS | SPECTATIN' and SPECULATIN' 3
bret harold hart
VIDEO LINK: https://youtu.be/zl0K0QMxlkc?si=kDESvNs580Tz-HFq
Why?, Whuffo?, and Howcum? are better community puzzles to solve in Life than Whodunnit?...., circuitously detailing, while sitting in an old cemetery, the synchronicities surrounding the fate of a suddenly-abandoned Old World house a stone's-throw from my own.
0:01
well now off in the
0:04
distance you can hear it you there's
0:07
some lawnmowers running and a weed
0:09
whacker and that is a young man named
0:12
lson who uh is owning owning a
0:15
landscaping business
0:17
here in Eden North Carolina and he's a
0:21
kid that I taught him and I taught his
0:24
older
0:25
brother and as I was walking by he I was
0:28
looking at him and I thought my gu that
0:30
guy looks kind of familiar and uh then I
0:33
looked at his truck and it said
0:36
larsson's
0:38
landscaping and then I looked up at the
0:40
house that they were Mowing and it's the
0:43
very same house that I uploaded a
0:46
video gosh it can't even be a month
0:50
ago uh about this abandoned
0:54
house and lo and behold it's all of a
0:57
sudden the grass is getting cut there
1:00
month later I'm not trying to forge any
1:02
kind of bridge between my video and the
1:04
grass getting cut but I do believe that
1:08
in
1:10
life sometimes I
1:12
think um the Lord kind
1:16
of if you're paying attention suddenly
1:19
dots begin connecting together for you
1:22
and you can think of that as you being
1:24
real smart um or that just simply you
1:28
know sometimes if you're on the right
1:31
path you kind of
1:34
spot things that remind you of places
1:37
you've been before on the path and so
1:40
anyways me and this young
1:42
man I asked the the kid that was the
1:45
young man that was working with them uh
1:47
standing there with a push mower I said
1:50
hey y'all I said uh y'all going to be
1:54
pulling the vines off the side of it
1:56
there also which are really tearing up
1:59
the
2:01
siding and uh it's all up on the roof
2:05
and you can just the facing boards you
2:07
know everything's just wet all the time
2:09
I wondered if they were going to take
2:10
them Vines down he said I don't
2:13
know and then I asked him I said what's
2:16
the last name of that guy over there on
2:17
that Mower and he said that's Larsson
2:20
and he told me what his last name was
2:22
and that's when I realized this is the
2:23
young fell that I had taught and uh so
2:27
then I walked over to him and so we had
2:30
a little reconnection asked about
2:31
families and stuff and I said you know
2:34
anything about this house and he said
2:36
this uh house belongs to the uh but
2:39
anyways uh this house belongs to a
2:42
family and it was a family that he knew
2:44
and being neighbors of mine that I knew
2:46
and I had taught both the young girls uh
2:48
in that family and you know they Liv
2:52
quite near us and have wondered for
2:55
years what happened when that house was
2:57
just simply up and vacated super fast
3:00
fast and uh everything left
3:03
behind and I've observed looting not the
3:06
people looting the place but maybe once
3:09
a year once or twice a year I'll just do
3:11
a walkth through to see what's going on
3:14
I'm kind of pleased that nobody's stolen
3:17
the nice cut glass panel in the front
3:22
door
3:24
uh but anyways
3:28
uh he and I walked through there and did
3:31
some speculating spectating and
3:34
speculating and
3:36
uh oh I wish that thing right there was
3:39
in the shade I need a place to sit down
3:42
I got a really bad leg I don't talk
3:44
about it that
3:48
much oh my there's a I'm walking past a
3:52
big old graveyard here in Eden the
3:55
uh Lawson
3:58
cemetery and
4:04
uh it's an old
4:07
one oh let me skip back so anyways uh
4:11
Larson and I walked through the house
4:12
and I pointed out where some stuff had
4:15
disappeared I bet you if I looked not
4:18
too terribly hard in about five places
4:20
I'd find those things for
4:22
sale
4:24
um here in the
4:27
county but I'm not really out to get
4:29
people in trouble that's not my
4:32
game that isn't even my
4:34
job but I have a very very hard
4:39
time not thinking about a puzzle that I
4:41
haven't solved
4:43
yet I think everybody knows that about
4:46
me and I told young little mean Larson
4:50
you
4:51
know big old handshake and a hug I said
4:54
you just do well I'm real proud of you
4:56
young man and got your own thing going
4:58
here and I think that's just
5:00
super say hey to your brother for me and
5:03
uh off we went and it was a really nice
5:06
connection and uh oh I asked him if he
5:09
was still going to that church we both
5:10
both our families used to go to and he
5:12
said nah and I said me neither but
5:16
anyways on that
5:18
note
5:20
um connect the dots
5:23
happens and I think that uh that
5:25
conversation was worth having today on a
5:27
whole bunch of levels
5:34
um and maybe that house is going to
5:37
get cleaned up and you know sold to a
5:41
family before it falls in on itself I
5:43
think that's the absolutely best case
5:46
scenario okay I'm done
RUNOFF FROM THE WELL | SPECTATIN' and SPECULATIN' 2
RUNOFF FROM THE WELL | SPECTATIN' and SPECULATIN' 2
bret harold hart
VIDEO LINK: https://youtu.be/kTGUXSBmq3c?si=GV53hHWqI9117HA8
Why?, Whuffo?, and Howcum? are better community puzzles to solve in Life than Whodunnit?...., circuitously detailing the creation & subsequent 'devolution' of art, sculpture, plantscaping, & assemblage on our "Art Yard" since 2002..., while sitting in an old cemetery.
0:02
hi this is Brett um I'm
0:07
sitting sitting here near Patterson
0:10
Street with an interesting view and
0:14
uh it's a real nice
0:17
day feels like it's about
0:20
60
0:22
95 degrees right in that range there's a
0:26
real light bleed breeze that'll make the
0:28
flag wiggle but not
0:31
wave kind of
0:34
dance there's a few flags next to these
0:37
stones that are dancing around right now
0:43
and
0:45
[Music]
0:52
uh looks like there's a certain level of
0:55
respect here not seeing a lot of things
0:58
toppled i'm going to talk on the subject
1:01
of runoff from the well
1:08
and back
1:11
in I think it was
1:15
2003 after we'd purchased our house
1:18
first
1:19
house a real fixer upper not as bad as
1:23
the one in my video called fixer upper
1:26
certainly not that bad uh but it it it
1:30
really was uh it in in a whole variety
1:34
of ways
1:36
uh it was in need of tender loving hard
1:39
work and expense uh in order to get it
1:43
up to a place
1:45
where you could live in the 21st century
1:48
in it and these things have involved
1:51
roofing and you know getting rid of the
1:55
old iron pipes you know that were all
1:58
blistery and leaky uh getting the
2:03
electricity in the house grounded so
2:05
nobody got killed when they plugged in
2:07
their guitar amplifier or something and
2:11
um oh a host of other things you know
2:15
fixing eaves and gutters
2:18
and all that you know and cutting down a
2:21
mess of big bothersome trees that
2:24
basically kept the roof shady and
2:27
covered with leaves most of the time
2:28
which as most of us know doesn't work uh
2:33
you know that's when your insurance
2:34
company says "No that's your problem."
2:38
and um all that you know so anyways we
2:41
bought the house and I've been I'm still
2:43
working on it a lot less i'm old
2:46
everything I do makes me hurt
2:50
anymore i got such a dayong stretching
2:54
regimen you'd think I was you
2:57
know
2:58
freaking on that kung fu TV show just
3:02
you know my wife says she can hear she
3:04
can hear my neck pop from 5t away
3:08
anyways
3:10
um the well yeah so um after about two
3:14
summers I guess it was give or take
3:18
uh late spring summers and falls I had
3:22
uh realized that this property was just
3:27
a trove of art
3:29
supplies um it's been my motto for many
3:33
years or is it a motto or an ethos
3:37
um the Lord will provide art
3:42
supplies i believe that right now i
3:44
believe that I could walk a
3:48
circle of 50 yards around me just about
3:53
anywhere and gather up enough stuff to
3:55
make a pretty cool assemblage
3:58
uh that would stick to a certain theme
4:00
uh I might even run across somebody
4:03
throwing out a
4:04
stretched print big old painting
4:09
looking print made in China that they
4:12
paid a hundred bucks for just sitting by
4:14
the road they'll take it home paint over
4:17
it with white paint and bam free canvas
4:20
um but anyways
4:22
uh yeah the Lord will provide art
4:24
supplies
4:27
so one of the very first times I was
4:29
mowing my back property and and what I
4:32
want to say is that it's about 20 steps
4:34
from the porch to the sidewalk out front
4:37
but it's
4:39
about 200 steps to get to the back of
4:43
the property i got about a half acre
4:45
back there and so I fenced it all in my
4:48
son and I fenced it all in
4:51
um and you put posts in and put some
4:55
good
4:58
tall with a good shelf life kind of wire
5:01
fence up and uh you know wrapped it up
5:05
so we could give our dog dogs over this
5:08
the years it's been about five of them
5:11
uh place to run around and have a good
5:13
time but anyways um I decided because I
5:17
showed up I got a job first at a print
5:20
shop running their computer room they
5:23
did that and back then they were doing
5:26
it on these giant 2-in thick tapes on
5:30
spools that were super noisy and I'd
5:33
have to degas them and stuff like that
5:35
it was just a bunch of fun um I got
5:38
hired by a guy that used to be in the
5:39
Navy like I was he was a he was in this
5:41
he was a submarine guy and uh he hired
5:44
me pretty much on the basis of being a
5:46
veteran and I worked for him until I
5:48
started teaching maybe 6 months later i
5:51
really appreciate that uh shout out to
5:54
Jeff
5:55
Lawson and
5:57
uh and then I started teaching and right
6:00
away people would walk into my classroom
6:03
and say "Is this the art room?" I'm like
6:04
"No this is an English room." "Oh looks
6:07
like an art room."
6:09
I'm like well you know I I I for for the
6:12
ones that best express what they know by
6:15
drawing something I give them ways to
6:18
let me know that they know
6:19
it and sometimes they look cool and so
6:22
we put them up and uh then people you
6:26
know and then I got Oh yeah and then I
6:27
got a a small little art show at the
6:31
public library and after that uh all of
6:34
a sudden um you know people love novelty
6:38
and so here's this guy that moved in
6:39
from out of state he does art he's weird
6:42
and he plays guitar and writes songs and
6:43
stuff and he's married to this woman and
6:47
you know they got the step kids with the
6:50
new baby thing going on and it's all
6:52
just a bunch of fascinating stuff to
6:54
gossip about and
6:57
um that's a paradigm I've watched repeat
7:00
about 25,000
7:03
times thousand times a year since I
7:05
moved here but um anyways uh yeah so um
7:11
you know so arts artsy people we were
7:13
meeting artsy people and I thought well
7:15
you know what let let's do a little one
7:18
day Saturday outdoor art show here on on
7:22
our property in the backyard you know
7:24
like zone it out tell people you got to
7:26
bring your own table and you know how
7:29
much room you need and uh we had a
7:32
really cool gathering of a number of
7:35
artists that day
7:37
um and uh I won't I won't the only one
7:41
I'm going to name is uh Ivon
7:43
Eastston and um who was a dear friend of
7:47
ours uh my wife was the first person she
7:51
called when she had the stroke that
7:52
killed her um lovely gal uh and some
7:56
other people local artists and
8:01
uh oh yeah and there's this one guy they
8:03
call Fish from Ridgeway Virginia who's a
8:06
welder but he uses his welding equipment
8:08
to make these crazy sculptures he's got
8:10
a dinosaur in his front yard and and he
8:13
came down with his motorcycle he's got
8:15
this amazing Harley and it has I I I
8:18
can't even describe it except to say
8:20
it's otherworldly
8:22
um with all kinds of biker iconography
8:26
all over it you know skulls and stuff
8:28
that he's welded about anywhere you
8:30
could weld something it's beautiful
8:33
really is makes you worry about going to
8:35
hell really to look at the thing like
8:37
Lord have mercy is that what the demons
8:38
ride over your head with and um anyways
8:42
he had that bike there too oh the
8:44
children that came loved it they just
8:46
flocked over to that thing you know and
8:49
um looking at the art and stuff we ended
8:51
up having a sudden rainstorm land on us
8:54
that day so we must have been doing
8:56
something right um that the powers of
9:00
the air come down against us quickly but
9:02
fortunately we actually had tarps and
9:04
plastic and stuff just in case it
9:06
happened and I don't know how many
9:08
people might have got some little water
9:10
on something of theirs i hope it didn't
9:12
do any damage but otherwise it was a
9:14
pretty good day and
9:19
um I don't know maybe about 6 months
9:22
before that show which was called fear
9:24
not with an exclamation point um I made
9:28
a sign and put it right over the arch
9:30
that goes toward the backyard where the
9:32
steps go down that said the well and I
9:35
called it the well because every time I
9:37
dipped into that yard I I was able to
9:39
pull out art supplies uh I remember
9:42
mowing the backyard one of the first
9:43
times I was mowing the backyard the
9:45
blade hit something i'm like "Oh Lord
9:48
hard enough to make the engine stop I
9:51
pull it back and there's a piece of pipe
9:53
sticking out of the ground." I'm like
9:55
"Oh man." And I get pulling on it cuz
10:00
sometimes you know you just pull it
10:01
right out i get pulling on it and it's
10:04
coming up laterally like in a line so
10:07
this is a this is like the elbow i've
10:10
got my hands on this this this little
10:12
2-in elbow on the end of a that's
10:15
screwed onto a longer straight pipe and
10:17
then I'm watching the the ground come up
10:19
as I pull it and I pull it and I pull it
10:21
and pull out comes about a 12t long pipe
10:23
with an elbow on the end of it and I'm
10:26
thinking what in the and as I'm
10:29
wondering why you know I can I guess I
10:31
could imagine somebody dropping a pipe
10:34
in their backyard but anyways
10:37
um but I noticed that when I pulled that
10:40
one up way down at the other end there
10:41
was a spot where it kind of hung up a
10:43
little bit and then came out and I
10:45
looked and I there was another piece of
10:47
pipe that had a little bit been
10:49
unearthed when I pulled the first one up
10:51
and I'm like what in the world and so I
10:54
spent I stopped cutting grass that day i
10:57
just started walking around looking for
11:00
pipes that the lawn mower might hit and
11:01
finding them and honest to God I found
11:05
well over a ton of pipes
11:10
conduit even I I think scaffolding
11:15
uh you know lengths of parts of
11:17
scaffolding all kinds of metal all up
11:21
under the ground out in the
11:23
backyard and I got them out of there as
11:25
best I could and leveled it back off and
11:27
stuff and
11:29
um and then I
11:32
uh a lot of them don't exist anymore but
11:34
I but I use those materials to make um
11:38
sculptures that had some element of
11:40
balance or balancing in them you know
11:42
like you think about Libra the
11:44
constellation where I
11:46
would you know use the joints and welds
11:51
and bends and so forth in the pieces of
11:54
metal that I found to make things that
11:56
would stand upright often starting with
11:58
a tripod of some sort that might be 15
12:01
feet tall and and then find ways to
12:04
attach other things to it without using
12:06
any kind of welding or wire to make that
12:08
happen and when I could get something to
12:12
a place where I I thought I liked the
12:14
way it was looking then I'd come in with
12:16
the wire uh when I when it was able to
12:19
stand by itself without anything falling
12:22
off um and some of them were really big
12:27
um I'd go in and kind of hard literally
12:30
um hard wire with wire uh at the various
12:33
places where pipes intersected and a lot
12:35
of these things stood
12:37
for 15 years there's about two of them
12:39
that are still
12:42
up everything's finite down here ain't
12:44
it um but I decided I was going to call
12:46
that place the well and it still is you
12:50
know it's it's amazing
12:52
um in so many ways this property has
12:56
provided us
12:57
with good stuff you know not memories um
13:02
you know the perfect tree to hang a tire
13:05
swing from um a very good place to build
13:10
an outdoor enclosure for a pet
13:13
um a very large space
13:17
for children to run around safely and
13:21
have a lot of room to have a good time
13:23
where there's very little danger you
13:25
know where there's nothing you might
13:28
that's sharp that you might fall on that
13:32
you know wasn't growing there
13:36
um you know and you know
13:40
uh the street that we live on I was
13:43
driving down it a long time ago 20 26 25
13:47
something years ago
13:49
and somebody was throwing out a long
13:52
yellow fiberglass slide they sell these
13:55
at you know the big you know Lowe's and
13:59
Home Depot uh where you can buy things
14:01
to make swing sets and they're expensive
14:05
right and there it was just laying out
14:08
there with a pile of other stuff for the
14:10
big clamp truck to grab and take to the
14:12
line landfill and I'm like you got to be
14:14
kidding me i grabbed that and threw it
14:16
in the back of my truck and brought it
14:18
home and took it out there and attached
14:19
it to the same tree that the rope swings
14:21
on and the tire swing and um it's still
14:26
there to this day our kids could use it
14:29
our grand able to use it
14:32
um the well every time I dip in there
14:36
sometimes when I'm bored I'll just go
14:37
out there and walk around and it'll
14:39
provide me with something to do because
14:42
a big limbs come down you know one of
14:46
them big limbs that's got too much
14:48
English ivy or Virginia creeper on it it
14:51
just weighs the tree down to the place
14:54
where the old branch just comes right
14:55
off and uh sometimes I find a place
14:59
where I have to fix the fence
15:02
up sometimes it's connected to a branch
15:04
coming down and
15:08
uh sometimes I chance upon something
15:11
that I have not seen in years and years
15:14
and
15:15
years you know like the remnant of a
15:18
sculpture that has
15:20
just decomposed you know it was made out
15:23
of wood or something organic and it just
15:26
kind of give out like we do and I'm not
15:31
real precious about the stuff I make
15:33
people like "Dude you use a stapler to
15:35
put your paintings on the wall." I'm
15:37
like
15:39
"Yeah you're going to lose your mind
15:41
about a couple of little tiny pin pricks
15:45
in a
15:46
canvas why that that's not what you're
15:50
supposed to be looking at stupid."
15:52
Um but anyways
15:55
uh I'll find a remnant of something i
15:59
was out there yesterday chucking
16:01
branches you know over into the branch
16:03
zone a lot of bamboos come down and
16:08
uh I look down I'm like well damn and
16:11
right there I see a black leather shoe
16:15
and I realized that it's it's a band
16:18
shoe from when my youngest girl was in
16:20
band playing horns and
16:26
um the uh there was a year
16:29
that the county gave them a big hunk of
16:33
money to replace the band the marching
16:35
band uniforms which
16:37
were really really long past their shelf
16:42
life and had certainly not been dried
16:45
cleaned often enough okay I'm just I'm
16:47
going to leave it right there okay think
16:49
about marching bands in the hot summer
16:51
sun and um anyways uh the the county one
16:57
year this happened one year it was an
16:59
arts win for high school bands uh gave
17:02
the high school uh a big chunk of money
17:04
to replace their uniforms and the band
17:06
the director of the band was like "Hey
17:08
any of you guys want some of this
17:10
stuff?" Because I I suppose and I don't
17:12
blame him he didn't want to have to
17:13
carry it to the dumpster himself you
17:16
know my god this band
17:19
At one point I think we had 80 kids in
17:21
it when we were on the band boosters
17:23
back then it was right big um it was it
17:27
was really something at any rate
17:31
uh my daughter having been
17:33
raised by a daddy who was always saying
17:37
"The Lord will provide our supplies,"
17:40
said "I'll take some of that."
17:43
She might have been thinking about
17:46
me actually I'm pretty sure she was
17:49
thinking about me because there's much
17:51
of it that she that she still has let me
17:54
put it that way but uh my daughter came
17:57
home with a whole mess of band uniforms
17:59
and them funny hats with the pointy
18:00
feather things sticking out the top and
18:03
all kinds of this cheap sort of military
18:06
looking uh you know little eagles with
18:09
flags and stuff like that that would
18:11
attach to the fronts of the hats and u
18:14
you know little fake brass things and so
18:17
forth i cut my finger on a couple of
18:20
them when I was going through them
18:23
you know the well the well the well is a
18:26
place that just where art supplies show
18:28
up and uh it's pretty cool we actually
18:32
were able to give those band uniforms to
18:34
u a local uh theater group uh you know
18:38
that does plays and stuff uh I can
18:41
imagine there's plenty of context where
18:43
something like that might come come in
18:44
handy you know like if you were doing a
18:46
version of the Nutcracker around
18:47
Christmas time you could probably whip
18:49
out a couple them uniforms or if you
18:51
were doing the Wizard of Oz you know you
18:53
could have the the guy at the gate
18:55
wearing one of them or something like
18:56
that um so anyways yeah so we were able
18:59
to take a thing that came to us at no
19:01
cost and pass it right along to somebody
19:03
who could use it uh eight years later
19:06
and and all it cost us was having a
19:10
place to put it until that happened i
19:12
think that's the best use of storage you
19:14
know I think a lot of folks pay for a
19:16
storage space in order to you know it's
19:18
kind of like that thing in the Bible
19:19
where it talks about you know I got to
19:21
build another barn for all my
19:26
stuff how'd that work out for you boy
19:29
you know I don't mind storing stuff if
19:31
it's got a place to go but at some
19:33
point me and Tana have been downsizing
19:36
for years we just give stuff away you
19:39
know I don't even have a recording
19:41
studio anymore i I just I gave it to one
19:44
of my girls why well because she was
19:46
wanting to record music and actually
19:48
trying to do it and didn't have the
19:50
tools and so I'm like well it just seems
19:53
natural that I'd pass my my recording
19:55
equipment along
19:57
to one of my own kids who's carrying
20:00
that forward see now that's not
20:02
generational sin that's
20:06
generational creativity i like that you
20:09
know we were created by a creator who's
20:12
creative and if we're made in his image
20:15
I guess we're supposed to be creative
20:16
too you know in some way some way art
20:22
cooking building things
20:25
whatever you know leave something behind
20:27
that is better than what was there
20:29
before you got
20:30
there so anyways runoff from the well
20:34
the runoff from the well is what happens
20:36
when we reach in and yank out a bucket
20:39
full of art supplies and
20:42
uh turn them into things um
20:46
or set them aside for the future use
20:50
that will be revealed about them you
20:53
know it's still going on i was just out
20:55
there today and I realized that the yard
20:57
back there actually looks bigger and
20:59
brighter kind of right now this year for
21:01
some reason and it occurs to me that
21:04
it's because the tree trunks are getting
21:07
taller and the shady stuff is in a
21:10
different spot with cast
21:12
shade that like I was able to do when we
21:15
first bought the place I can once again
21:18
drive in from the back with my truck and
21:20
get within 20 ft of the house um because
21:24
the trees are big enough that I can get
21:25
up under them again uh which is kind of
21:28
nice i mean Lord we have a pine tree out
21:30
there that
21:32
uh our grand one of our uh
21:34
granddaughters well we only got one
21:36
granddaughter we got a great
21:37
granddaughter um our granddaughter
21:39
brought home this from a I think it was
21:42
vacation Bible school she came home with
21:44
a Dixie cup with a little tiny pine tree
21:48
seedling growing up in it that was about
21:50
4 in tall a really long time ago 20 some
21:54
years ago she gave him she says "You
21:56
want to you want to plant this out there
21:58
in the back can we plant this out there
21:59
in the back?" I said "Come on now." And
22:01
we went out back next to where the
22:03
trampoline used to be and uh stuck it in
22:07
the ground you know it was it had a kind
22:10
of a it was in a sort of an enclosure
22:12
that I would never mow in there so it
22:15
was safe by God that thing that that
22:19
thing is taller than this weird obelisk
22:21
that I'm standing next to uh right
22:26
now i reckon that tree is probably about
22:29
25 ft tall now so some things get bigger
22:33
like the Bible it gets bigger every time
22:35
you open it and some things aren't
22:39
supposed to get bigger and we're
22:41
supposed to give them away and
22:43
uh so anyways whatever your well is I
22:47
hope you're scooping good stuff out of
22:48
it and
22:50
sending that good
22:53
stuff where you know it ought to go.
THE WALKING DEAD F*ceBook ACCOUNT | SPECTATIN' and SPECULATIN' 1
THE WALKING DEAD F*ceBook ACCOUNT | SPECTATIN' and SPECULATIN' 1
bret harold hart
VIDEO LINK: https://youtu.be/5m-3P_I-wl8
Why?, Whuffo?, and Howcum? are better community puzzles to solve in Life than Whodunnit?....circuitously detailing my effort to exit a fraught and often ineffective 15yr social networking learning-curve, while sitting in an old cemetery.
----------------
0:00
all right well good afternoon this is Bret
0:06
again uh spectating and speculating and
0:14
uh doing my best to keep out of the way of what ought to be going
0:23
on I'd rather let it happen and what I want to talk about
0:30
right now is the whole incredible experience I've had mostly not
0:38
enjoyable um in trying to First deactivate and later
0:47
delete a Facebook account that I'd had for about I don't
0:53
know I think maybe 2 three years into Facebook
1:00
finally caved and saw that it was maybe a viable way to be in touch with people that
1:07
are too impatient to talk to you on the phone uh or too
1:13
busy and uh because that's just the way things have gone in my 66 years is that
1:21
you know I was raised by people that weren't just readers but who enjoyed it
1:26
were kind of acious about it you know many magazine subscriptions and uh you
1:35
know grocery store Encyclopedia set in the living room and uh you know boxes of
1:43
National Geographic Magazines in the basement on a shelf and uh that's the
1:49
kind of people that I was raised by and around and I'm still a
1:57
reader but Lord knows I barely ever hold printed media
2:03
that I'd have any interest in Reading
2:08
anymore and um you know over the years here up in
2:17
New England middle Massachusetts
2:24
uh hell all the way back to the high school newsletter and art
2:31
magazines we had back in the 70s mid
2:36
70s I was a writer and I guess you could call all of that journalism and I I
2:42
suppose you could call what I'm doing today journalism and I'm just kind of like that Silver Surfer you
2:49
know I'm just kind of riding whatever most
2:55
recent uh tool for Comm
3:00
communication um that comes along and some of them are
3:05
very brief fattish kind of things that vanish real fast you know like the laser
3:13
disc and um and the eight track tape for sure and
3:19
then we got I don't know now there seems to be a
3:26
return to analog recording as though people have run they're feeling
3:34
nostalgic and uh wanting to sound like the old days when things sounded like
3:40
the stuff that the digital Music Revolution thought it was solving the problems
3:47
of Journalism well anyway so I tried to leave I tried to deactivate myself from
3:53
Facebook and delete myself from Facebook when um I don't know I I really hate to
4:00
name names because sometimes you name a name and it's like a frecking mental force field flies up and and and F some
4:09
folks can't even listen to the next syllable they're already formulating a a
4:17
way to enact Justice on you for what you just said even though it was an incomplete thought and um yeah you know
4:25
so forget about names you know forget about names
4:30
labels names stuff like that uh but I made a decision after many
4:36
years of really having a lot of failed relationships begin and end um and I
4:42
don't mean uh you know you know what I mean professional relationships music art uh and when I was a teacher at one
4:50
point there was even a sort of a local encouragement to use social media to
4:55
connect with the parents of your students if you wish and of course we were for bidden to um communicate with
5:03
the kids we taught online that was just a hard and fast Rule and I agree with it
5:08
um but there was a period of time and I suppose it persists uh when parents use
5:15
social media rather than phone calls or direct emails um to express stuff you know to
5:23
teachers and back and forth I remember that that was not fun
5:30
um and I would say that the first time that I very nearly left Facebook was during the time when I was still
5:36
teaching at the middle school level uh in the Arts and we were at the Apex like the
5:44
baby boom of that kind of thing going on with Facebook being the main conduit you
5:50
know and for reasons that I won't speculate about um because I'm just
5:57
going to take her at a word my wife really was beginning to have a problem um with a number of the uh mothers of
6:05
several of the kids I taught and I was you know I've been here long enough that
6:13
I taught the children of kids I taught okay so I've taught entire generations
6:19
of children you know I could name a lot of families that I taught all three of
6:25
the children all three of the daughters both of the sons you know that
6:31
kind of thing and I've I've even worked with my ex- students and stuff as you know in
6:39
education it was pretty cool interesting I got a deep look you know teaching
6:44
thousands of kids and dealing with where they came from you
6:49
know but um my wife was beginning to have issues with
6:55
uh I suppose the frequency and really lack of urgency from her
7:02
perspective with which some of these women um
7:09
were wanting to be in communication with me and I really couldn't argue with her
7:14
um because I get a lot of I'd say that eight out of 10
7:21
texts or emails or even Facebook comments or notifications that I ever
7:28
got eight out of 10 there was no point in them ever having been sent they communicated nothing
7:35
usually they communicated well they didn't communicate nothing they communicated vanity um or narcissism and I started to
7:43
actually get caught up in that you know who was it I think Kurt vonet said we are if somebody wants to know what a
7:50
person is like look at the five people they spend the most time with and kind
7:55
of do an average of those five people and you'll get the sixth one and
8:02
um you know Kurt vonet was the kind of author that would make you think about
8:07
something for the rest of your life and uh that's one lens through which I look at people and families and stuff like
8:14
that but anyways uh to get back on point I digress I'm sorry
8:21
um she one day had
8:27
a uh completely in hindsight I'm saying this I don't think I handled it very
8:33
well at the time um no I didn't handle it very well at the time I got defensive
8:39
about uh my uh right to since there wasn't any weird [ __ ] going on uh oops
8:46
I'm have to delete that too and she knows this we both know this in hindsight there wasn't any weirdness
8:52
going on but as women do really if they're
8:58
right-minded um they're going to guard their relationship with the person they
9:04
married and I'm glad my wife does I don't know if I like her methods um but
9:10
I'm really glad that she uh is capable of
9:17
um she claims what is her right and her right is The Vow that I made when I
9:23
married her and I'm not going to argue with that it in fact it's never failed us
9:30
her getting her getting her throwing up a fence right quick um is always a good
9:36
idea and she said at at that time this is a long time ago my God this is like
9:42
12 years ago maybe I want you to delete every single female friend you got on Facebook that I
9:49
don't know [Music] personally and I asked her how come and
9:56
she said because if they if they want to be friends with you they well better be ready to want to be friends with me
10:02
too okay we're like kind of a a a set here you
10:08
know and uh so I did
10:13
that and um I don't believe I even accompanied the act of doing it with any
10:19
kind of explanatory post I think I just went in there in order to
10:25
avoid um
10:31
what could come and just did a mass bye-bye kind of
10:36
thing and you know a whole lot of it was with people that to be honest with you I maybe had only had a back and forth with
10:43
for over the course of the N9 months or less that I taught their child and then
10:49
we never had another communication after that like they might have at one point reached out to me via Facebook because
10:55
they had a question or something and we ended up um you know friend request
11:01
exchange kind of thing going on like that but I went and did in one Fell Swoop and I think I knocked
11:07
about maybe 125 ladies um right out of the right out
11:13
of the right out of the tool as it were and
11:18
um a couple of them got really pissed about it which she found very
11:24
interesting and and in hindsight I find interesting in also that some other
11:31
person might bring their opinion about um how a man and a woman
11:39
agree um to respect one another uh as though their Viewpoint could make that
11:45
change um but anyway so there's there was an early like okay it's time it's
11:51
time to make a boundary happen here in in this in this so-called networking social networking
11:58
stuff and and uh so then you know time goes by uh I pass in and out of several
12:06
recording groups um one of which was led by a woman uh well at least she was the
12:12
uh The Lyricist and singer in the group and um myself and a u a man who is um
12:21
very accomplished on uh keyboards and and woodwind instruments primarily and
12:28
when I say woodwind instrument I mean from uh baritone Sachs to harmonica okay
12:35
um and during those professional musical
12:43
business um the durations of those um
12:48
Adventures um some women ended up back in Facebook
12:55
as friends as well as I'm I'm not going to ex I'm not going I'm going to be very
13:00
conservative as well as possibly maybe 200 people who I frankly never got to know
13:08
in any way shape or form that mattered to me very much except that they
13:15
purchased an album uh that I played on for which I might have
13:21
made a dollar but anyways I'm you know I'm appreciative I always thank people for
13:26
these things and stuff but you know when somebody's buying something that's not something on which to base a lifelong
13:32
relationship that's kind of stupid um so I ended up with what I will call a whole bunch of barnacles sort of
13:39
business Barnacles uh on my in my Facebook uh friends and
13:50
when I don't know when when one of those musical Adventures one of those groups
13:56
fell apart well basically I I exited the band and
14:02
it was a trio so you know 33% gone I exited it for reasons that I felt
14:09
were righteous and it there was Carnage that immediately followed it was like an
14:15
earthquake occurred within this sort of extremely underground but pretty large
14:22
realm in music that I was operating in at that time many ways still
14:30
do and I just realized that I need to give that ship a good scraping um because of all of these
14:38
various names that connect my memory and my thoughts to something that I'd really
14:44
rather not think about anymore and so once again I went in and did another one of these great
14:51
unfriending H I'll call it what it is because we W well I don't know we weren't friends we were they were
14:59
customers and in some cases they were musicians who um might use another
15:06
person as a ladder in order to get someone that they'd like to work with in
15:13
music I felt a lot of the The Souls of a lot of weird boots going right up my
15:19
back um between myself and someone that
15:25
uh I don't know seemed kind of like overly willing
15:31
to um well they were engaging in a lot of flattery and stuff like that and I I
15:38
don't like that stuff that it bounces off of me there there's a difference between constructive feedback and and
15:44
and and uh flattery When someone tells me like
15:50
everything you're doing is fabulous I really immediately don't trust them because I know it isn't um it could not
15:58
be uh part of how I roll is that I don't hide flaws in the
16:05
process um you know this goes across every kind of art that I'm involved in it's it's it's AR it's immediate it's
16:13
finite it's undecorated it doesn't have a lot of
16:18
makeup on it um it's a immediate grabbing of the moment in
16:26
which the thing is being made and I try to make things I'm not the kind of guy that
16:32
works on a painting for years I'm the kind of guy that spends an entire week
16:38
of 10hour days working on one and getting it done
16:44
um so anyways I scraped the Barnacles off of the uh progressive rock uh realm
16:51
uh that had infiltrated I allowed him to I opened
16:56
the window and the vampire came in you know know but anyways uh let's see where
17:02
we getting with our time here I sure hope this thing's still recording it is we're good um but anyways uh so then I
17:11
did another big old scraping and then last year and I've
17:16
been playing music live locally not doing recording projects or
17:21
getting in bands or anything like that for probably about the last I don't know five years or so
17:29
and that's the way I like it I probably only get out and play four times a month that's plenty I'm playing with people I
17:36
enjoy being around and um you know at a place that I like being in
17:44
uh but last Autumn uh I think it was in November possibly
17:51
December I know it was after Halloween anyways the anniversary of Noah Noah's
17:58
Arc begin beginning and the the flood kicking off that's Halloween for those that like to look stuff up that other
18:04
people have said it is Halloween is weird memorializes
18:12
catastrophe I decided that I didn't want to be on Facebook anymore and the reason why was because having been in the Navy
18:19
for as long as I was doing spook work I'm kind of uh I have a healthy
18:27
paranoia when there is a real reason to be paranoid about something yeah you know um a lot a lot of things that are
18:35
bad are hidden Right In Plain Sight and sometimes you see it and um it makes you
18:41
wonder and and I'm not someone who jumps to conclusions quickly but when I feel a
18:46
lot of dots are being connected around a a certain theme uh I put that theme in a folder in my head and uh just you
18:55
know remember that I have that folder in case something else another dot appears
19:00
as it were and um I made a decision that um from almost a personal you know you
19:06
hear about National Security right and I started to think about it might be a good idea for me not only to uh use it
19:14
less which I've gone through phases of um but to
19:19
just stop and and and just you know I've
19:24
created the you know people have their personal Facebook page but artists and
19:30
musicians and business and stuff you know they set up these adjacent Pages uh
19:37
in order to promote something right and and I was quite vigorous about that I had at least two different
19:45
pages um which sold my paintings and art and stuff and you know a person could go
19:51
there and look at these pictures and so forth in fact two days ago a local woman
19:56
contacted me because she'd seen some of my work and she tried to contact me
20:02
through Facebook and I didn't receive the notification but anyways um but a friend
20:08
saw her comment and called me up and told me and we've connected and so it's kind of cool that uh I might possibly
20:14
make a sale uh she wants me to do a painting of her home I can do that I've done it before I decided to get off
20:21
Facebook the first thing I did was I deactivated it according to the procedure that says this is how you do
20:28
that that and I will say right now that Facebook doesn't make it easy for you to
20:33
get out it really does not okay and then shortly thereafter um I
20:41
upped it to the delete after I had given myself time to be mindful about the
20:48
consequences of deleting my Facebook account okay and if
20:55
I delete my Facebook account that means I can no longer laun in and moderate uh
21:03
other Pages I'll call them commercial Pages um that I had out there for music
21:09
and art and stuff and uh events and so forth like it's almost as though you've
21:16
you know you're being towed Along by a ship in your own little boat and you are
21:21
cutting the rope that connects you to that ship the bigger one that you built but
21:27
you kind of willing to let that just kind of sail away uh like a lot of the stuff that you find you know if you know
21:35
about archive.org if you use their way back machine you can find stuff that
21:40
that that was once on domains that no longer exist and I'm kind of willing to
21:46
let some of my stuff go off into that ether um not really trusting that it
21:51
will be preserved but that it might be and I don't care I'm a res I can
21:57
untether from those things I don't even have those things to sell anymore who cares right bye I also knew that I was
22:05
going to probably have to um find a new way to
22:12
communicate to replace the Facebook messenger chat box which I think most
22:19
people find them useful locally for some reason I don't know and I I had found it
22:26
I just find Facebook to be a generally crappy way to communicate anything that
22:32
you want to get feedback about or attendance to unless you are
22:38
already a celebrity of sorts or independently um economically
22:45
independent you know what I'm saying and not caught up in
22:51
uh monetary dependencies that involve other people uh and I made the hard decision
22:58
that yes I'm going to let go of that and I know that this is going to disconnect me from photographs that I no longer
23:04
have I no longer have and then I remembered that I
23:09
actually did a dump uh of my Facebook
23:15
media just a couple years ago and that I actually do have most of the photographs
23:22
I've taken since then and that was the thing that made me say okay fine I'm
23:27
going to actually delete this account and let it go away make it vanish when somebody looks for it it ain't there and
23:34
that was at the end of November around the beginning of December all right so what happened
23:41
right after that was I started getting these funny messages that I hadn't gotten before that were saying hey did
23:48
you Lo someone logged into Facebook using your account in such such a
23:55
location you know and it might have been in Charlotte North
24:01
Carolina right or uh Boone North Carolina now these people are too far
24:08
away to be hacking my my Wi-Fi right and
24:13
the first couple of times that happened I'm like what's up with that
24:19
like you do and like I did I don't anymore but
24:24
anyway so I I I went for the bait on the
24:30
hook that was dangling right there that someone's messing with you know your communication
24:38
tools and guess what happened as soon as I clicked on that
24:44
thing up came a thing that said that to proceed to The Next Step you'll need to
24:49
log in I don't think of myself as a stupid person
24:56
okay I'm ignorant about a lot of stuff but I'm not stupid I clicked that damn
25:02
button to go find out if somebody was in my stuff okay they weren't they weren't
25:12
I never found a explanation for why that occurred okay cuz I wasn't driving out of network or anything like that when
25:18
that was going on so I don't get it so what I'm guessing is it it's part of the
25:23
game right so then what I did was create a filter to make those kind kind of
25:28
messages not get to my inbox just poof go away all
25:34
right months pass I know that if I go to in order to
25:40
check whether or not my Facebook account isn't
25:46
there I have to have a I'll have to log in to find out and I
25:53
know what happened before so several months go by here we are on the middle of March and I don't log into Facebook
26:00
never a couple more of those did you log in I they sneak through they get past
26:07
the filter I I spam them and get them right out of there okay so just a couple days ago this is
26:14
the funny part for me our older daughter's over at the house and we're hanging out on the porch right drinking
26:21
coffee and uh smoking cigarettes I say do me a
26:27
favor anyway no I don't go in there and see if
26:34
you can get to my Facebook account because as far as I know it shouldn't be there and I don't
26:42
want to be the one to look okay you got a Facebook account and of course we've been Facebook friends go see if my
26:49
account's still there and so she picks up her phone 5 seconds later she goes yeah it's
26:55
still there she holds it up and shows to me and I'm like damn it and I just do
27:02
not get it okay I just don't get
27:08
[Laughter] it so on me
27:16
right this is called the devil's tennis so anyways I'm smoking these
27:23
inexpensive crowns Menthol Lights they're all we can afford down here in
27:28
this tobacco State anyways
27:34
um that's another video all together so I am just racking my
27:43
mind and tin and I are watching a movie last night this apocalyptic thing called
27:50
How It Ends from about six years
27:56
ago with ad so during one of the ads I push the mute
28:02
button and I say hey h h how do you I haven't used
28:07
Facebook at all for months I just don't get it I say this to my
28:13
wife and she goes well I use it sometimes and I
28:20
go what do you mean and she says that our
28:26
friend who um is a great teacher and just a lovely lady and and she's um she's really fond
28:36
of Tina's crocheting work and and has actually found all kinds of great ways
28:41
that Tina can can crochet things and and uh you know them get the people that would enjoy them and stuff you know so
28:48
anyways she says well you know like when Shen sends me something that you know like I should check out you know like a
28:54
pattern or something and I said yeah but and this is when the light bulb came on
29:02
I said you've never had a Facebook account you flat out refused for years
29:09
to have a Facebook account I said you don't even have an email address I
29:14
said don't you understand what you what you what's happened
29:20
here so funny to me I said you kept me
29:27
in Facebook each time you looked at something that
29:32
somebody said hey look at this and it was on Facebook you know on some
29:37
crocheting group page or something you use my email to log into
29:44
my Facebook page in order to have access to viewing that thing and she's
29:50
goes oh oh and then her light bulb came on
29:58
I'm really proud of her for never getting caught up in this junk I'm telling you you know like this is the kind of this is ignorance is bliss you
30:06
know she's never been on any of that Facebook stuff and whenever she uh someone else sends her there to look at
30:12
something it generally causes aggravation and I wouldn't have it any other way so anyways so the mystery of
30:19
the the you know The Walking Dead Facebook account why won't it just die
30:25
um has been solved and she went in and did a for stop on uh the uh app in her
30:32
phone right so that she uh won't be tempted ever again and I asked her also
30:38
if she would be so kind as to communicate to Shannon that please don't send me any Facebook links but anyways
30:45
so I'm I'm saying that here you know my good friends know even the even the ones
30:50
who never like or comment on my videos I see how many views there are I know what's going on out
30:56
there but anyways uh you know that you know Facebook wasn't fun either um it
31:02
did sell a bunch of records though so that's cool so pretty soon I think I'm
31:08
going to be able to actually shoot the head off of The Walking Dead Facebook account you know it'll stay down
31:18
right so you know I hope I don't have to make another video about uh on this
31:24
subject and this video is all oh Lord this recordings all the way up to 33118 so I better give it a stop
Saturday, October 10, 2020
It's been a decade since I last blogged ... MOON MEN - amusingly serious progressive music
I am given to collaboration and find it the best way, for me, to really get to know another person. Talking is so often just talk, yet making a deliberate recording together -even if it is improvisational - requires action and focus. About six years ago, I became friends with Dave Newhouse, Jerry King, and Bill Jungwirth by way of social networking. Jerry and Bill had performed and recorded together in various Wisconsin bands for over a decade, and Jerry's recent Cloud Over Jupiter album was getting impressive indie reviews. Dave had formed and played with the acclaimed "Canterbury" progressive band The Muffins for decades and I was very fond of and familiar with their records.
At any rate, for different reasons, yet simultaneously, we four began to collaborate on some experimental rock music and discovered that we liked what we sounded like together. Early songs like 'BAM BAM' (mine) and 'New Moone' (Jerry's) made me think that perhaps we were onto something worth becoming and proposed that we commit to making a whole album of instrumentals together. We did. I'm glad we did. We called ourselves MOON MEN. What we've accomplished since has been such fun.
Over the next six months or so, we completed our 'Amazing Science Fiction Stories' album and put it out on professionally manufactured CD-r in a small run of 300 and included a full-color 5" sticker and bonus printed goodies. These sold out. We also launched the MOON MEN Official Genuine Real Human-Interface Hub, a Facebook fan group that has bloomed into a fountain of silliness & aesthetic myth-making over the years,
"MOON MEN is an experimental recording group consisting of DIY and Prog veterans, Bret Hart ('Admiral Eschaton Crater'), Jerry King ('Sgt Cthulhu Moone'), Dave Newhouse ('Major Dom Fook'), and William Jungwirth ('Billzilla'). This is a limited-editon run of 300 silver-backed compact discs in a special 6-panel cover. Using every available sound tool at their disposal, the complex arrangements & challenging structured improvisation of MOON MEN hearken back to classic shared band influences in many genres, and forward toward a new variety of popular music that hasn't been thought of yet." [from our first record release]
CD REVIEW: [Martin Noreau - Canada] "You know as a kid, Christmas Eve (or Christmas morning) you were looking so forward to that one gift that you wished would be under the tree and, once you opened it, it was even better than you could have imagined? Well, this is exactly the feeling I got from listening to The 'MOON MEN: Amazing Science Fiction Stories.' It's obvious that The 'Moon Men' have been tapping into our Earthly broadcasts since radio waves have sprung forth. If you like, 'KING CRIMSON','VDGG', 'PORTISHEAD', hell, even 'Robert Johnson'... (to name a few) then this album is for you! First off, the production values are strong...the sound quality is exceptional! Not to mention, the wonderful graphic look and ''feel'' of the album...all that was missing were some bubble gum cards! (Hahaha...) The musicianship is simply stunning! Breathtaking time signatures...''Cosmic'' sounds that enter in and out, sound-bites that bring you along to certain tracks...combined with a well-balanced haunting / forlorn ''stratosphere''...and you know what, it ALL works so brilliantly! Personally, I know I love an album when I start ''drumming'' with a pencil...and this album from start to finish...I was Robert Wyatt on the drums! Hahaha... If you like albums that bring you to other dimensions in sound; that bring you to a ''heavenly'' state, then I urge you to pick up this AMAZING album! You are in for one hell of a ''Cosmic trip!'' Even if the year is not over, this IS MY ALBUM of the year! BRAVO to THE 'MOON MEN!"
Our first record is available digitally on bandcamp:
https://bhhstuff.bandcamp.com/album/moon-men-amazing-science-fiction-stories-2017-digital
---------------------------------
By the time the first rush of album sales had passed, aided enormously by a special pre-sale we initiated online, effectively earning back most of the cost of manufacture before its release - a method we continued to use through our '3.5...The EP' project - new sourcetracks were already being circulated among the band and our home studios were buzzing. We were surprised and excited by how well our first record had done and charged forward to maintain momentum. A second full-length MOON MEN record happened with haste.
I was still recording my material in my outdoor, open-door, open-air shed-studio... so the sounds of cicadas, critters and cars occasionally factor into the mix. As a band, we were becoming more aware of one another's musical personalities and quirks, and it shows in how much more tight and cohesive the songs - many of which cut from almost exactly the same cloth as our first album - had grown. This was our engineer/mixer Chad Wardwell's second time around with us and the mastering job is cleaner, tidier, and more singular. Rather than a group of guys making remote recordings together, a band-ness was there. A quality of not sounding like anything but itself. We got the new audio mixed and mastered, got the covers and interior images ready, and put out 'UNCOMFORTABLE SPACE PROBE.
Friends and fans liked it, but the response was more tepid than with our first record. 'Sophomore Slump'? In hindsight, I moved too quickly with 'Uncomfortable Space Probe'. At that time, all four of us were knee-deep in other recording projects & doing session work, Jerry/Bill with 'Cloud Over Jupiter' music, Dave/I with 'Diratz', Dave with his 'Manna-Mirage' series, helping on other people's projects, and so on. As for me, my attention was too subdivided. I now believe that the two last tracks, both collages, should have been left off the record and set-aside for some future use or as online bonus tracks ... my bad. An impulsive inclusion. Also, this was the one CD of ours that I - ineffectively - used an online platform to try and sell our physical copies. Bandcamp was taking a big bite out of online sales (hurt also by increasing USPS shipping rates), and I was again feeling like selling things was not my strong suit. MM2 did not turn a good profit b/c of the percentage taken by the platform and my own ineptitude with numbers. We broke even, barely. But it is still, warts and all, a hard hitting collection of strong instrumentals. A great record, badly marketed.
Our 2nd record is available digitally on bandcamp:
https://bhhstuff.bandcamp.com/album/moon-men-ii-uncomfortable-space-probe-digital
---------------------------------
Our third album '3' took longer to finish, survived some band-agita, but went in several new directions that gave it a fresh sound, look, and feel from the first two releases. It was not a silly looking album, with UFOs shooting weapons at skeletons on the cover & the band riding over a bone-strewn field inside. [The cover image comes from a photo by Fernando Sanabria taken in Herculaneum - where Pompeii hot-ashed people to death.] Mixing/mastering duties had changed to Ian Beabout/Shed Sounds (WV), and with this change to the team, the sound of Moon Men as a band evolved. Our third album combines the richness of Ian's fine-tuned orchestral ear and the clarity that grows among people who make music together over time. The songs are humorless, mostly, and have more of a film-soundtrack quality, less of a garage spacerock band quality. It's a stone-solid psychedelic album, firmly standing in the middle of 2019 America and wondering 'WTF?' aloud with our instruments. Even before COVID-19, we were frayed and making music that sounded like how the world was making us feel. We didn't discuss this, but I hear it.
Moon Men “3” Review
"Moon Men is the quartet of EC community member Bret Hart, Bill Jungwirth, Jerry King, and Dave Newhouse. I’ve been following Bret’s music for nearly 20 years and have written about him extensively. And Newhouse was a founding member of Washington, DC based prog-jazz-Canterbury legends The Muffins. I’ll confess that I only buy CDs anymore if they are by an artist I follow closely. Other than that, I’ll opt for digital if only CD is available. But Bret is not one to be hindered by the physical limitations of the format, which is no surprise because he came from the 1980's CASSETTE world!! I sprung for the special limited edition. Check this out… The CD is housed in a gatefold jacket, but also comes with a postcard signed by the band members, a poster, and a bonus 3” CDR with accompanying 14 page handmade, PERSONALIZED art booklet. Isn’t it lovely? View the video for a detailed look. This is the third Moon Men album and, like the others, it’s a crazy but totally seamless blend of avant-jazz-progressive rock… Prog-jazz with an adventurous experimental edge. I like how jazzy horns trip along on ‘Peas & Carrots & Grass’ to a steady jazz-rock rhythmic pulse. After a few minutes the guitar challenges them and the musicians bull and matador circle each other, slowly jamming and finding their way as noise and effects color the proceedings. I love the contrast between the chaotic jamming groove, sweetly swooning horns, and brief punked-out vocals on ‘Coeur de Boeuf’. Lusciously clunky! Other highlights include ‘The Dark Side Of The Moon Is Dark For A Reason’, which has a dreamy melodic vibe that recalls the Canterbury sound of 1980's Muffins. But it’s amped-up an experimental notch with scratching effects, clatter percussion and cascading electronics. Dig that lazy, lysergic jazz-blues on ‘Nurse Ratched’. Moon Men get nicely spacey on ‘The Mutt Stars And Cat Planets’, rocking HARD in alien prog-jazz land, but later make a gradual descent into a beautifully melodic Canterbury finale. Progheads with a taste for the creatively strange will dig this!" - Jerry Kranitz
Our 3rd record is available digitally on bandcamp:
https://bhhstuff.bandcamp.com/album/moon-men-3-digital-album-and-art
---------------------------------
A month or so after MM '3' was released, Jerry King shared a '50 CDs for $99' deal he saw online with us. "LET'S DO THIS!" We had a stray track that did not make it onto our first album "LURCHING HERMAN" that Ian was willing to remaster, I had two new songs ['Waltzing Into A Pickle' and 'When A Loved One Sails Away'] that were in various stages of accompaniment in the Moon Men pipeline, and a new cleaner mix of our epic 'Around the Solar System in a Tub', which had only been available online. In short order, these four tunes were finished and along with the great 'Moont Rushmore' cover art by Dennis James, sent off for manufacture. These sold out in three weeks.
Our EP is digitally available on bandcamp: https://bhhstuff.bandcamp.com/album/moon-men-35-the-ep-2019-digital
---------------------------------
Late 2019, just before COVID-19, the band began pitching sourcetracks around like we do and our fourth full-length album project began. The sourcetracks that eventually became 'Tales of the Space Pirates' circulated for months, some of them coming together very quickly, a few taking considerably longer than others to reach fruition and readiness for mixing and mastering. Billzilla contributed one, Dave & Jerry two each, and the rest are mine. I must confess that I created some extreme setbacks on a few tracks owing to my bad file management/titling skills ... ie; sending different length sourcetracks to band members, not realizing it until, during rough-mixes, things didn't always line up. In one case, a mystery drum track found its way into the proceeding of a song, affecting the rhythm of some accompaniment, before being discovered and extracted from the mix. Stuff like that. Here's where I must give big kudos to Ian Beabout/Shed Sounds studio in WV, who has had the daunting task of parsing through piles of WAV files - about which we have different opinions - and forging mixes that satisfied the whole band. Many other engineers would throw up their hands and quit. This is Ian's gift ... sustained interest in and perseverance regarding music he believes in.
By mid-summer 2020, the ten new songs were mixed and mastered and ready for manufacture. I'd settled upon another vehicular cover theme - "old school naval" - and hunted up some 18-19th century photos of 'sea captains at the wheel' to manipulate and turn into the band members. These became the four images on the cover. During the final weeks of tweaking, the talented Eric Kearns, who does a lot of quality graphics design for mutual friends and musicians, came on board to create our on-CD and back-cover images, as well as to 'QC' our typesetting and the resolution of my front cover and interior graphics before printing. 'Tales of the Space Pirates', the fourth full-length Moon Men LP, was released during September 2020, is selling well, and only about 50 hard copies remain as of this date. Those who've been with us from the beginning say it's our strongest and most cohesive album yet.
Our 4th record is available digitally on bandcamp: https://davenewhouse.bandcamp.com/album/tales-of-the-space-pirates
----------------------------
What's next for MOON MEN? Who knows...? What's next for any of us during this strange time.
Monday, August 9, 2010
Before I Can No Longer Remember: The Great American Testimony, 1982-1985
Upon graduating from 'Madstop' - S.U.N.Y. Potsdam in the Spring of 1982, with a B.A. in English/Art, I found myself saddled with about $10,000 in college loans. New York State was experiencing high unemployment and the best my college degree was able to parlay for me in its economy was a 40-hour, 11PM-7AM, short-order cook position at Mario's Little Gem Diner in Syracuse. The job had its enjoyments and I learned to cook efficiently for groups. However, it paid poorly, I was living with my parents and driving a beater of a car, and the future looked like a big, meaningless void. And along came the payback cycle of the loans, which left me in a fix.
My childhood friend, Jim Irwin, had just enlisted in the Army and would be going to helicopter repair school after boot camp. He told me about the benefits and pay; far better than what I was making. I began speaking to recruiters to see what was out there for a college grad with my degree.
The Navy appealed to me most, to a great extent because I'd heard my dad's Korean War Navy stories for years, seen photographs and some funny 8mm footage from his travels, and had always admired the medals he kept in a cigar box on his dresser.
I won't go too deeply into the baloney (gotta get that quota to be promoted) a North Syracuse recruiter fed me about "the modern Navy" and it's "need for technical degrees" and how my education had little use to the Officer Corps. Suffice it to say that I signed up for a four year tour as an enlisted man, found out three years later that I had been the victim of recruitment fraud, and that "it would be dealt with"; this by the Navy Captain who I found myself, entirely by chance, eating lunch and chatting with one Saturday afternoon at the Naval Air Station in Pensacola, Florida. He just happened to be 2nd in command of naval recruitment in these United States. I'd hate to have been that Senior Chief when he got called onto the carpet.
In April of '83, I got on a plane for the Recruit Training Center in San Diego, California. I was assigned to a "drill company", which meant that our company of 80+ guys would learn all of the gun twirling and flag marching stuff that would happen during the eventual graduation ceremony. This made things a bit more fun, as the time we spent doing this training circumvented doing something worse. Boot camp was about physical fitness, learning about the US Navy and its regulations and principles, learning how to accept and follow directions, cleanliness, developing personal responsibility, and putting a sharp point on one's coping skills. We ran, swam, marched, sang, stood at attention or 'parade rest' for what felt like hours, ate mediocre food, got yelled at, washed clothes, studied for tests, and were shepherded through a process that, in effect, built character and erased social distinction. I would recommend these lessons for anyone. They sure shaped some of what endures in me as useful. We graduated and were officially sailors, ready for "A-School', where we would obtain the foundations of our chosen job fields.
Next, off to the The Presidio of Monterey, located in Monterey, California, an active US Army installation that is the home of the Defense Language Institute Foreign Language Center (DLI-FLC). I lived and mustered with about 200 other sailors, men and women, studying several languages through speaking, listening, and writing. We ate, discussed, worked out, and partied together. Intellect, youthful energy, and fun were in the air. Some of the best cookouts and pick-up basketball games ever took place in the shade of our barracks. Olympic amounts of imported beer were downed. Guitars were plugged in and noise was made. The Presidio is built high on a coastal hill, with the stunningly beautiful Monterey Bay below and pine trees and deer above. Idyllic. John Steinbeck wrote many of his manuscripts in a cathouse called Kalisa's down on Cannery Row. No longer a whorehouse, Kalisa's was now a great Greek restaurant with live music and poetry readings in the evening; with Kalisa herself still hostess of the establishment! I bought my first 4-track recording deck at a Monterey music shop and built my first homemade instrument in the Army wood shop on-post.
When I arrived, I didn't even know the real nature of the job I'd be doing for the government with the language, as it was classified and we didn't yet have "the need to know". Having tested with a high score on the Defense Language Aptitude Battery (DLAB), I was given the choice of any offered course of language study. What language should I choose? I took an opportunity to talk with the Command Master Chief, a 25+ year Russian linguist and asked him, if he could do it all over again and was in my position, what language would he have chosen and why?
He said, "If I were in your shoes, I'd choose Korean. It is the only language you can study here that sends you to a place where you can actually speak it with people. Russian, Chinese, and Arabic linguists never get sent to those countries to do the job we do."
So I chose to become a Korean Linguist, in typical military obfuscation, titled 'Cryptologic Technician - Interpretive' in publications. I spent the next 60 weeks studying Korean language, culture, and grammar, 8 hours a day, five days a week. It was tough. The two Korean alphabets are either pictographic (Chinese - used in newspapers) or employ strange phonetic sound-symbols that are assembled on the page like complex fractions, rather than linearly as is English. INTENSE. Eight in our class graduated of the forty we started with. Waiting for the next Korean class to also graduate so a group could be sent to the next school, I was imported into a 'level two' Korean class for 16 weeks before shipping out for technological training in Texas.
Goodfellow Air Force Base is located in the western part of the state, just outside of a dust town called San Angelo. There, I was taught how to use a host of high-tech gear essential to the job and how to type 60wpm. We were in the DESERT. I saw snakes and jack rabbits out there while running the base perimeter that were monstrous. Living life near cities had always obscured the night's stars and I had never seen a sky so giant and clear. The food was dreadful and I will never be able to shake the memory of the huge keg of a breakfast cook in the mess hall who would, daily, shower the eggs and bacon she was flipping with a rain of sweat from her forehead. A Chinese linguist, Pete Nickless, turned me on to the music of Captain Beefheart and the Magic Band during my six months there. What an epiphany! Every form of indigenous American music thrown into a blender and made into...what? Great stuff and really influential on my own slide guitar playing. I developed a burrito addiction, plowing through tens of them every week. There was a shallow river crawling through San Angelo that you could always see snakes in. The place was brown and dry; very like a scene from a cowboy movie. Towns-people and many of us from on-base would get together at a huge concrete sluice/dam that was nearby, just out of town. I had some extreme good times out there. Aerosmith and Zeppelin from boomboxes would bounce and echo like crazy in that place, and there was a long, smooth incline to the cool and calm water below. It reminded me of something from Clockwork Orange, minus the violence. Eventually, when our trainers deemed us capable of using the expensive equipment and not breaking it, we graduated from tech school.
Aircrew Candidate School in Pensacola, Florida's Naval Air Station came next. My Navy life was a slow and often arduous succession of trainings and schools. I opted for becoming an Aircrewman, it is voluntary, because the pay was better and the travel opportunities opened considerably. You'll notice that I'm not getting into any detail about my job. That is because I may not do so. Period. Until I die. That's just how it works. Our intelligence work was conducted from many platforms, military aircraft being one. There are things to know and be able to do when your job is on an airplane that could crash of be shot down. Swimming. Running. Not getting electrocuted during a rescue or drowned by your own parachute. Properly exiting an aircraft that is underwater (I almost drowned during this test, for the harness had a faulty buckle that got stuck and had to be cut by a scuba diver after I'd been under for over a minute and a half. Thank God for all the swimming I'd done at the Bayberry Pool as a kid!). We swam and we ran. We ran in dry sand, less traction. We ran timed trials through a tough obstacle course that involved climbing, crawling, balancing, dodging, and avoiding things. We studied necessary texts. And we slept like logs at night. Things like that. My mind was becoming completely able to not expect much enjoyment from work, but rather "to get through this and on to that, and then off-base tonight for some clams and beers." My parents had taught me "to cope", but the Navy was like a graduate course. Eight weeks later, we graduated and got to wear the winged uniform patch and embroidered ballcap representing induction to aircrew status. These things mattered and matter. My medals, ribbons, and letters of commendation signify accomplishment and having paid my dues to earn something. They remind me that I have been an adult and met a difficult criteria, not always possible.
The last phase of becoming an airman is completing P.O.W. Training in the California mountains. In three words: Incredibly Not Fun. SERE is a United States military acronym for Survival, Evasion, Resistance, and Escape, a program that provides military personnel, Department of Defense civilians and private military contractors with training in evading capture, survival skills and the military code of conduct. A "what if?" scenario, we were given tattered uniforms to wear, a knife and compass, and set down in the mountains. We were told that we were to avoid being caught, but not to get ourselves killed if we were "captured by the enemy". We were also told that being caught was inevitable. Humvees and other armed vehicles, firing blanks, we later found out, prowled everywhere, and the enemy (camouflaged Navy SEALS dressed as Russian soldiers) knew the lay of the land. We were given an initial clue to a second location, which would have a clue to a third and so on. Any of us (about 50) who located the "safe house" would be fed and sheltered for a spell. Two other guys and I made it to the safe house and had, maybe, three minutes to eat from a pot of cooked vegetables before the house was overrun and we, too, were caught. Without going into too much of it, the next few days were a test of each man's will to keep a secret, and to be taken to the place where you had to choose between injury and survival. One jarhead invited extra torment by getting his back up and sassing a guy they called "Bruiser" (Two days before while we were 'evading' in the mountains, the same Marine caught, cooked, and shared a rabbit he'd snared with some of us. Then, he put his hand up inside the skin, head still attached, and did a "puppet show" that had us rolling on the ground laughing.) One man tried to escape and ended up breaking his leg. I'll never forget the rice with way too much salt they made us eat. I spent the better part of an afternoon in a (working and ventilated) refrigerator, and another being thrown against a wall. It sucked, but we made it through the ordeal, and it was an ordeal.
Before 'shipping out', I had three days of "R & R" in San Diego during 1985. Besides the usual walking around between beers one does in a strange town, in the evenings I wrote this long, surreal narrative poem about my life and the changes I'd taken myself through.
==================================================
THE GREAT AMERICAN TESTIMONY
I. On Improvisational Living
I have thrown it with all my strength
it arcs around the planet in silent acceleration
over oasis and plant life
blowing hats and turbans from heads
then it reappears in my trouser pocket
the one with the hole in it
'Hello' is repeated over and over
while the other digits dance through
at a rate and intervals governed by temperature
something big and creamy is still knocking at the door
cold smoke anthems puff freely
beneath chairs and tables
an aluminum can keeps falling to the floor
with a luminous thud
between love and lust lies like,
but what lies between like and want?
more trips to the public urinal in the club
with those cigarette frigates and oysters
that won't go down
my feet fall apart slowly, like mica
and pack small windows into my shoes
in a place where wind erodes a bit of red sandstone
until it is the shape of a rose
and dinosaur fragments litter the site
of a faulty flashlight pool
now I'm in a favorite place
up there
on the very top of New York State
where a friendly princess in a rocking chair
smiles
asks how I've been
and sells me a book.
it's like apple and oranges
there are no truly red oranges
there are no truly orange apples
all red apples are apples
all orange oranges are oranges
apples are not oranges
and vice-versa
apples and oranges have this in common
we put them in our mouths
here's a seedless orange for you
do you have a wormless apple for me?
I am an American
I am an artist
I am an American artist
I am, therefore, at an advantage
you see, bad man only had one idea
some drone got himself a new attitude
and then got mad about it
"This cube is such a hell!"
at the hospital, a sign said
"Problems are 90% attitude
and 10% external occurrence."
the ears enjoy whales
the hole is tobacco-stained
foreign shapes come out of it
affection is inverted, heart-holes out
producing beautiful patterns on warped tablet
Mr. Lobster is getting pretty accustomed
to taking drugs which
never really brace him for that bathtub
men with birds on their shoulders
sit at an adjacent table
and let cigar smoke pour from their face-holes
some noble creature with buttocks
sticking out of its collar
is struggling with a necktie
as his bedecked wife paints
navy-blue eyeliner under her one brown eye
my skin is stretched and spread
over color zones
and feeds noisily
with all of its holes
snappin' and gnashin'
a blue pen goes dry
bringing to mind an easy metaphor
and her hair in candlelight
carp mimic salmon and dash their brains out
in currents of ill-positioned ego
and a very false sense of
"What the people want from their Art"
tears flow from rusty spigots
in their foreheads
"WHY HIM?!", she convulsed under his table
and said, "DON'T!"
too drugged to pause, he filleted the salmon
and drew from its ovary
a string of tiny human hands
connected thumb-to-pinky
the snack was re-hydrated and filled
with crunchy goodness
as I looked from a window in tears
a cork-board laden with notes
and photos
and clippings
rustles with the sound of a passing marsupial
a little pink beanbaby leans forward
and out come pink bubbles
to be carried away by doves
the Long Wait is a map
leading to an orchard
with friendly beasts baying in stereo
This is the Great American Testimony
No purple mountains majesty to speak of here
only farts and fools and futures
and countless false starts
You are proud of it
==================================
On a Sunday, I got carried my dufflebag onto a C-130 for duty in the Pacific.
Oh boy.
My childhood friend, Jim Irwin, had just enlisted in the Army and would be going to helicopter repair school after boot camp. He told me about the benefits and pay; far better than what I was making. I began speaking to recruiters to see what was out there for a college grad with my degree.
The Navy appealed to me most, to a great extent because I'd heard my dad's Korean War Navy stories for years, seen photographs and some funny 8mm footage from his travels, and had always admired the medals he kept in a cigar box on his dresser.
I won't go too deeply into the baloney (gotta get that quota to be promoted) a North Syracuse recruiter fed me about "the modern Navy" and it's "need for technical degrees" and how my education had little use to the Officer Corps. Suffice it to say that I signed up for a four year tour as an enlisted man, found out three years later that I had been the victim of recruitment fraud, and that "it would be dealt with"; this by the Navy Captain who I found myself, entirely by chance, eating lunch and chatting with one Saturday afternoon at the Naval Air Station in Pensacola, Florida. He just happened to be 2nd in command of naval recruitment in these United States. I'd hate to have been that Senior Chief when he got called onto the carpet.
In April of '83, I got on a plane for the Recruit Training Center in San Diego, California. I was assigned to a "drill company", which meant that our company of 80+ guys would learn all of the gun twirling and flag marching stuff that would happen during the eventual graduation ceremony. This made things a bit more fun, as the time we spent doing this training circumvented doing something worse. Boot camp was about physical fitness, learning about the US Navy and its regulations and principles, learning how to accept and follow directions, cleanliness, developing personal responsibility, and putting a sharp point on one's coping skills. We ran, swam, marched, sang, stood at attention or 'parade rest' for what felt like hours, ate mediocre food, got yelled at, washed clothes, studied for tests, and were shepherded through a process that, in effect, built character and erased social distinction. I would recommend these lessons for anyone. They sure shaped some of what endures in me as useful. We graduated and were officially sailors, ready for "A-School', where we would obtain the foundations of our chosen job fields.
Next, off to the The Presidio of Monterey, located in Monterey, California, an active US Army installation that is the home of the Defense Language Institute Foreign Language Center (DLI-FLC). I lived and mustered with about 200 other sailors, men and women, studying several languages through speaking, listening, and writing. We ate, discussed, worked out, and partied together. Intellect, youthful energy, and fun were in the air. Some of the best cookouts and pick-up basketball games ever took place in the shade of our barracks. Olympic amounts of imported beer were downed. Guitars were plugged in and noise was made. The Presidio is built high on a coastal hill, with the stunningly beautiful Monterey Bay below and pine trees and deer above. Idyllic. John Steinbeck wrote many of his manuscripts in a cathouse called Kalisa's down on Cannery Row. No longer a whorehouse, Kalisa's was now a great Greek restaurant with live music and poetry readings in the evening; with Kalisa herself still hostess of the establishment! I bought my first 4-track recording deck at a Monterey music shop and built my first homemade instrument in the Army wood shop on-post.
When I arrived, I didn't even know the real nature of the job I'd be doing for the government with the language, as it was classified and we didn't yet have "the need to know". Having tested with a high score on the Defense Language Aptitude Battery (DLAB), I was given the choice of any offered course of language study. What language should I choose? I took an opportunity to talk with the Command Master Chief, a 25+ year Russian linguist and asked him, if he could do it all over again and was in my position, what language would he have chosen and why?
He said, "If I were in your shoes, I'd choose Korean. It is the only language you can study here that sends you to a place where you can actually speak it with people. Russian, Chinese, and Arabic linguists never get sent to those countries to do the job we do."
So I chose to become a Korean Linguist, in typical military obfuscation, titled 'Cryptologic Technician - Interpretive' in publications. I spent the next 60 weeks studying Korean language, culture, and grammar, 8 hours a day, five days a week. It was tough. The two Korean alphabets are either pictographic (Chinese - used in newspapers) or employ strange phonetic sound-symbols that are assembled on the page like complex fractions, rather than linearly as is English. INTENSE. Eight in our class graduated of the forty we started with. Waiting for the next Korean class to also graduate so a group could be sent to the next school, I was imported into a 'level two' Korean class for 16 weeks before shipping out for technological training in Texas.
Goodfellow Air Force Base is located in the western part of the state, just outside of a dust town called San Angelo. There, I was taught how to use a host of high-tech gear essential to the job and how to type 60wpm. We were in the DESERT. I saw snakes and jack rabbits out there while running the base perimeter that were monstrous. Living life near cities had always obscured the night's stars and I had never seen a sky so giant and clear. The food was dreadful and I will never be able to shake the memory of the huge keg of a breakfast cook in the mess hall who would, daily, shower the eggs and bacon she was flipping with a rain of sweat from her forehead. A Chinese linguist, Pete Nickless, turned me on to the music of Captain Beefheart and the Magic Band during my six months there. What an epiphany! Every form of indigenous American music thrown into a blender and made into...what? Great stuff and really influential on my own slide guitar playing. I developed a burrito addiction, plowing through tens of them every week. There was a shallow river crawling through San Angelo that you could always see snakes in. The place was brown and dry; very like a scene from a cowboy movie. Towns-people and many of us from on-base would get together at a huge concrete sluice/dam that was nearby, just out of town. I had some extreme good times out there. Aerosmith and Zeppelin from boomboxes would bounce and echo like crazy in that place, and there was a long, smooth incline to the cool and calm water below. It reminded me of something from Clockwork Orange, minus the violence. Eventually, when our trainers deemed us capable of using the expensive equipment and not breaking it, we graduated from tech school.
Aircrew Candidate School in Pensacola, Florida's Naval Air Station came next. My Navy life was a slow and often arduous succession of trainings and schools. I opted for becoming an Aircrewman, it is voluntary, because the pay was better and the travel opportunities opened considerably. You'll notice that I'm not getting into any detail about my job. That is because I may not do so. Period. Until I die. That's just how it works. Our intelligence work was conducted from many platforms, military aircraft being one. There are things to know and be able to do when your job is on an airplane that could crash of be shot down. Swimming. Running. Not getting electrocuted during a rescue or drowned by your own parachute. Properly exiting an aircraft that is underwater (I almost drowned during this test, for the harness had a faulty buckle that got stuck and had to be cut by a scuba diver after I'd been under for over a minute and a half. Thank God for all the swimming I'd done at the Bayberry Pool as a kid!). We swam and we ran. We ran in dry sand, less traction. We ran timed trials through a tough obstacle course that involved climbing, crawling, balancing, dodging, and avoiding things. We studied necessary texts. And we slept like logs at night. Things like that. My mind was becoming completely able to not expect much enjoyment from work, but rather "to get through this and on to that, and then off-base tonight for some clams and beers." My parents had taught me "to cope", but the Navy was like a graduate course. Eight weeks later, we graduated and got to wear the winged uniform patch and embroidered ballcap representing induction to aircrew status. These things mattered and matter. My medals, ribbons, and letters of commendation signify accomplishment and having paid my dues to earn something. They remind me that I have been an adult and met a difficult criteria, not always possible.
The last phase of becoming an airman is completing P.O.W. Training in the California mountains. In three words: Incredibly Not Fun. SERE is a United States military acronym for Survival, Evasion, Resistance, and Escape, a program that provides military personnel, Department of Defense civilians and private military contractors with training in evading capture, survival skills and the military code of conduct. A "what if?" scenario, we were given tattered uniforms to wear, a knife and compass, and set down in the mountains. We were told that we were to avoid being caught, but not to get ourselves killed if we were "captured by the enemy". We were also told that being caught was inevitable. Humvees and other armed vehicles, firing blanks, we later found out, prowled everywhere, and the enemy (camouflaged Navy SEALS dressed as Russian soldiers) knew the lay of the land. We were given an initial clue to a second location, which would have a clue to a third and so on. Any of us (about 50) who located the "safe house" would be fed and sheltered for a spell. Two other guys and I made it to the safe house and had, maybe, three minutes to eat from a pot of cooked vegetables before the house was overrun and we, too, were caught. Without going into too much of it, the next few days were a test of each man's will to keep a secret, and to be taken to the place where you had to choose between injury and survival. One jarhead invited extra torment by getting his back up and sassing a guy they called "Bruiser" (Two days before while we were 'evading' in the mountains, the same Marine caught, cooked, and shared a rabbit he'd snared with some of us. Then, he put his hand up inside the skin, head still attached, and did a "puppet show" that had us rolling on the ground laughing.) One man tried to escape and ended up breaking his leg. I'll never forget the rice with way too much salt they made us eat. I spent the better part of an afternoon in a (working and ventilated) refrigerator, and another being thrown against a wall. It sucked, but we made it through the ordeal, and it was an ordeal.
Before 'shipping out', I had three days of "R & R" in San Diego during 1985. Besides the usual walking around between beers one does in a strange town, in the evenings I wrote this long, surreal narrative poem about my life and the changes I'd taken myself through.
==================================================
THE GREAT AMERICAN TESTIMONY
I. On Improvisational Living
I have thrown it with all my strength
it arcs around the planet in silent acceleration
over oasis and plant life
blowing hats and turbans from heads
then it reappears in my trouser pocket
the one with the hole in it
'Hello' is repeated over and over
while the other digits dance through
at a rate and intervals governed by temperature
something big and creamy is still knocking at the door
cold smoke anthems puff freely
beneath chairs and tables
an aluminum can keeps falling to the floor
with a luminous thud
between love and lust lies like,
but what lies between like and want?
more trips to the public urinal in the club
with those cigarette frigates and oysters
that won't go down
my feet fall apart slowly, like mica
and pack small windows into my shoes
in a place where wind erodes a bit of red sandstone
until it is the shape of a rose
and dinosaur fragments litter the site
of a faulty flashlight pool
now I'm in a favorite place
up there
on the very top of New York State
where a friendly princess in a rocking chair
smiles
asks how I've been
and sells me a book.
it's like apple and oranges
there are no truly red oranges
there are no truly orange apples
all red apples are apples
all orange oranges are oranges
apples are not oranges
and vice-versa
apples and oranges have this in common
we put them in our mouths
here's a seedless orange for you
do you have a wormless apple for me?
I am an American
I am an artist
I am an American artist
I am, therefore, at an advantage
you see, bad man only had one idea
some drone got himself a new attitude
and then got mad about it
"This cube is such a hell!"
at the hospital, a sign said
"Problems are 90% attitude
and 10% external occurrence."
the ears enjoy whales
the hole is tobacco-stained
foreign shapes come out of it
affection is inverted, heart-holes out
producing beautiful patterns on warped tablet
Mr. Lobster is getting pretty accustomed
to taking drugs which
never really brace him for that bathtub
men with birds on their shoulders
sit at an adjacent table
and let cigar smoke pour from their face-holes
some noble creature with buttocks
sticking out of its collar
is struggling with a necktie
as his bedecked wife paints
navy-blue eyeliner under her one brown eye
my skin is stretched and spread
over color zones
and feeds noisily
with all of its holes
snappin' and gnashin'
a blue pen goes dry
bringing to mind an easy metaphor
and her hair in candlelight
carp mimic salmon and dash their brains out
in currents of ill-positioned ego
and a very false sense of
"What the people want from their Art"
tears flow from rusty spigots
in their foreheads
"WHY HIM?!", she convulsed under his table
and said, "DON'T!"
too drugged to pause, he filleted the salmon
and drew from its ovary
a string of tiny human hands
connected thumb-to-pinky
the snack was re-hydrated and filled
with crunchy goodness
as I looked from a window in tears
a cork-board laden with notes
and photos
and clippings
rustles with the sound of a passing marsupial
a little pink beanbaby leans forward
and out come pink bubbles
to be carried away by doves
the Long Wait is a map
leading to an orchard
with friendly beasts baying in stereo
This is the Great American Testimony
No purple mountains majesty to speak of here
only farts and fools and futures
and countless false starts
You are proud of it
==================================
On a Sunday, I got carried my dufflebag onto a C-130 for duty in the Pacific.
Oh boy.
Subscribe to:
Posts (Atom)